My photographs are related to contemporary and classic human issues and they are reflections about the fitting together, always uncertain, of the human being and the world and also some social aspects nowadays, but not in straight way, rather in a symbolic way.
The axis of my work is the search. Around that it moves everything. The search for our sense of identity and our roots, the search for our path, the search for connections, the search for our limits, the search for the change and the search for what to search. It is the motor. All of this surrounded of certain touch of uncertainty and volatility. Usually the atmosphere is repeated, more or less the same engine, around antagonistic elements, between to be or tot to be, between the apparent and the invisible, between the feminine and the masculine, between the connections and disconnections. In general, everything focuses around dichotomies and relativities, the duality with which our being encloses itself, and on the other hand tries to go beyond the limits of these dualities.
The most recurrent genre on my photographs is the landscape. It is my medium and mediator, essentially the nature. It is in the landscapes where I find my photographic`s motives, because is there where I channel my feeling and thinking. Sometimes it is a mixed of found landscapes, that surge of the meeting, added to a slight “mise en scène”, most of the time with human figure for giving a human character to the scenes.
My series usually have narrative structures, but not sequential in terms of time, space and place, but based on symbolic elements and minimal actions. Through the symbolic and the content I try to give continuity to the spatial and temporarily discontinous. I am attracted to the idea of the possibility that opens up on either side of an image and invite the viewer to an associative interpretation.
My way of conceiving the projects is unscripted, but with a relative sense of direction and a guide.